As an Orthodox icon of traditional
content, in the 18th and 19th centuries have been ignored and forgotten the
religious consciousness, even something as decadent and abandoned. What are the
reasons there are basically three: First, from the appearance point of view,
the preservation of ancient icons are dusty, dark face, do not see the true
colors of the United States (because they do not pay attention to save the
sacred heritage and not good), and second, from the content, people only see
the spirit of asceticism icon included. And did not see the joy, the third is
the 18th-century Russia to accept the West after the Renaissance art of
realism.
However, in the
context of Russia's "religious philosophy revival of the early 20th
century, some Russian theologians and philosophers began to focus on the
phenomenon as a spiritual icon, to rethink the traditional icon reveals the
ideological content of religious icons. Icon theology and Philosophy in Russia
has been an unprecedented development.
The basic
tendency of ancient Russian icons is asceticism. 17th century old ritual to
send representatives Ava Qom clearly pointed this out. He pointed out that the
artist was drawn to the image of the Savior, like Emmanuel, the face is
swollen, his lips are red, curly hair, hands are obese.
This painting is the
enemy Nikon premeditated and support, as if painted portraits of the living.
However, not so outstanding painter of ancient paintings, they are saints
painted face and hands, because of fasting, labor and painful but sales
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